Ra SHAWN-DA-PROFESSOR

Ra SHAWN-DA-PROFESSOR

Friday, July 11, 2008

NEW EDITION'S 25 YEAR IMPACT AND NEVER ENDING LEGACY






When New Edition was honored last month by ASCAP, many of their peers and fans felt that the honor was long overdue for the group who has set the bar for many of today’s boy bands, who’s success have over shadowed their contribution to music history. With sales of over 30 million records as a group, and many of millions sold with their solo projects, they achieved success that no male group has yet to duplicate, but with all the success they achieved, the five boys from Boston were the victims of bad business deals, fighting for control of their image and not getting the proper acknowledgement and respect that was due. But this article to let fans and the public aware of their contributions to music and why it’s important not to write them out of music history.
The birth of New Edition began in Orchard Projects. One of the toughest housing projects in the Roxbury section of Boston, when childhood neighbors and friends Bobby Brown & Michael Bivins, joined a singing group with two other guys from the projects who were a bit older in age, but later decided to join with Ricky Bell, who brought his best friend Ralph Tresvant to the line-up. They would sing on street corners and at local malls to get money to go to the movies, help their families and to get attention from the females. “All we saw everyday was drugs, hustling and pimping” Bell said in the group’s live DVD. We was just kids man. All we wanted to do was get that money, go to the movies and get with those project girls.” “”I look back and see everybody I came up with… doing the same thing or worst. Lead vocalist Tresvant said in XXL’s Hip-Hop Soul Magazine. “They locked down or dead. See all of this makes you wonder why us.
Seeing how serious they were, their neighbor Brook Payne would help them come up with routines, and dubbed them New Edition.
In 1982, the group entered a contest sponsored by producer/songwriter Maurice Starr, who was looking for a group to produce. The group came in second place, but after seeing how the crowd responded to them, Starr asked them to recruit a fifth member, and Payne decided to bring his nephew Ronnie DeVoe. They signed with Streetwise Records and in February 1983, released their debut single “Candy Girl” which topped the R&B and UK charts. They would follow with “Is This The End,” Popcorn Love,” “Jealous Girl” and “She Gives Me A Bang.” winning the hearts of females, and respect from male’s world-wide. What made New Edition appealing was their attire which consisted of jeans, T-shirts, leather caps and shell top adidas sneakers and their cherography “I thought the song was great. I thought they was the cutest boys I ever saw” Susan Stuart, President of the New York chapter of the group's fan club and meet-up group said during their group‘s bi-monthly meet-up. They group embarked on their first world tour winning rave reviews, and expecting to receive lots of money, but when the tour wrapped they were in for an unexpected surprise.
They returned back to the projects where they grew up at, and when they finally received their earnings from their tour, the check was for one dollar and eighty seven cents. Enraged, the group blamed Starr and the record company for robbing cheating them out of their money. A claim the Starr denies. “That‘s something been riding me for a long time" Starr said on VH-1's Behind The Music.” The booking agent sent the money to them, and whatever my percentage was, they sent it to me. I did not take their money.”
The group ended their association with Starr and Streetwise by signing with MCA Records, which resulted with Starr suing them over their name, which was dismissed in 1988. “We left with nothing but our name, but we owe Maurice a lot” Bell told Keith Murphy. In September 1984, the group released their platinum self-title album and the singles “Cool It Now,” “Mr. Telephone Man,” (which featured Brown on lead) “Lost In Love” and “My Secret (Dija Get It Yet).” The group was gaining a larger fan base due to their new clean cut image that featured them wearing sequenced suits, pres school sweaters, which was something the group later admitted hated.
While promoting their album, Brown has missed scheduled appearances, which started rumors that he was battling cancer. Brown was suffering from the flu and had taken some time off to recover, but he did however grew sick and tired of the group’s false image, material and not having more leads and solos, so he began singing Tresvant’s parts, and performing sexually moves, which pleased the fans, but upset the group and management, who felt that his behavior was ruining the group’s image. Though they loved him, they decided to vote him out shortly before they released their third album “All For Love.” A decision they still regret to this day. Brown on the other hand has recently reveal how grateful he was for them giving him his pink at that time. “Twenty years ago I didn’t know who I was, but something happened to me” Brown said during his speech at the awards ceremony. "But it was them kicking me out the group that made me like ‘Yo, if I don't succeed, I ain’t going to be nothing back home.'”
They also learned that they weren’t officially signed to MCA. They were signed to a production company called Jump & Shoot, which had it’s own deal with the label, and in order to get out of that contract and sign directly with MCA, the had to borrow money from the label, and had to tour to get out of debt.
In December 1986, The group released “Under The Blue Moon” while Bobby released his solo album “King of Stage” and “Girlfriend” with the latter topping the R&B charts for two weeks, but it wasn‘t the direction Brown was looking to head. “It was really a solo New Edition album“ he said in the Billboard Book of Number One Hits.” The voice was there, the voice they remember from “Candy Girl“ It didn‘t work for me. We had to regroup and find out what my identity was as a singer.”
In 1988, NE decided that they wanted to have a mature look and sound, and shed their bubble gum image, so they joined forces with songwriters/producers Jimmy Jam & Terry Lewis the team who was responsible for helping Janet Jackson and The Human League score hits to produce their album. “Working with Jimmy Jam & Terry Lewis was the group’s idea, but the person who made it possible was the late Louil Silas, Jr." Ralph told Keith Murphy. They also decided to add singer Johnny Gill to the lineup. Born and raised in Washington DC, Gill teamed up with childhood friend and superstar Stacy Lattisaw for the hit album and single “Perfect Combination” before releasing two solo albums. After signing with MCA, Gill was about to began work on his solo album when Ricky, Mike and Ronnie, asked him to join the group. Something Tresvant wasn’t fond of at first, fearing that he would replace him as lead vocalist. “We said to Johnny, you might not sing on this album except for some background” Jam said on “Behind The Music.” This isn’t your group” Gill also wasn’t too found of singing the song “Boys To Men” but decided that he was going to record it his way, and it became the group’s most popular song though it wasn’t released as a single. But during recording they became good friends. “It became a mutual admiration society” Jam said in the Billboard Book of Rhythm & Blues Hits. “So they got really close during the project and any though that we had that there might be jealousy got erased. They were very professional and very respectful of each other’s talents and that made the recording very easy.” "They became the New Edition through the trials of making 'Heartbreak’ Lewis added on “Behind The Music.”
In June, New Edition released their comeback album “Heartbreak” which became a triple platinum classic, scoring three hits “If It’s Isn’t Love,” “You’re Not My Kind of Girl, and “Can You Stand The Rain which topped the R&B charts for 2 weeks and made them adult superstars, “Johnny Gill was huge in pushing New Edition to a mare mature sound" DeVoe told Keith Murphy. “His voice was just perfect."
Brown would join and (unintentionally) fare better than them. Teaming with LA Reid & Babyface and Teddy Riley, the creator of New Jack Swing, Brown’s sophomore album “Don’t Be Cruel” would sell over twelve-million copies world wide making him an international star thanks the singles “Don’t Be Cruel,” "Roni," “Every Little Step (which earned him a Grammy Award) and “Rock Wit’ Cha," but it was his single “My Prerogative” which topped both the R&B and Pop charts and made him an international star. Brown had repaired his friendship with the group by appearing as their opening act on their Heartbreak tour which grossed over $14 million.
When the tour wrapped, the group decided to pursue projects which would make the group more successful and historic; Ricky, Mike and Ronnie formed the trio Bell-Biv-DeVoe, who became stars in their own right. by mixing Hip-Hop R&B and Pop music together and dressing in street attire (overalls, jeans, sneakers and timberlands), they scored with “Poison,” “Do Me!" “BBD (I Thought It Was Me)“ “When Will I See You Smile Again” and “She’s Dope,“ earning them many awards for Best New Artist and Best Male Group. “Coming from New Edition, no one thought we were able to do anything, because we were in the background for the most part within the group. DeVoe said in the Billboard book Number One Rhythm & Blues Hits. “Everyone was looking for Ralph and Johnny to be the stars coming out of the group, so we kind of snuck up out of nowhere. As we were doing the album, everything came to up pretty quickly."
Gill also re-started his solo career. Signing with Motown Records, he released his self-titled platinum selling release and single “Rub You The Right Way,” and “My, My, My” which became gold # 1 R&B hits. He also made history by becoming the first artist to have an album written and produced by two major Black writing and producing team. Jam & Lewis and LA Reid & Babyface, Trecvant finally released his self-title album and single “Sensitivity” which topped the R&B charts and earned him many awards for Best Male Vocalist. “My stomach was acting up” he told James I. Jones IV in USA today. I was scared. I didn’t want to be the only one to put out something that didn’t work."
Bivins began managing and developing many acts including Another Bad Creation, whose album “Cooling At The Playground” made them the youngest kid act to score a platinum, album, but it was vocal group Boyz II Men, who would become legends in their own rights. The quartet’s debut “Cooleyhighharmony” sold over nine million albums, while their single “End of The Road” broke Elvis Presley’s record, staying at the top of the chart for 13 weeks. He also formed his record label Biv 10 Records, and signed signing groups Subway and 702, who scored several R&B hits for the label.
With their solo careers going strong, many fans were asking would the group reunite or break up. They showed the fans the bond they have by performing at the MTV video awards where all members including Brown and Gill performed their solo hits before singing a medley of their group’s hits. Gill and BBD embarked on the Triple Threat Tour with Keith Sweat, which was dubbed one of the best tours of the early 1990’s. The following year, they traveled to Orchard Park projects to film the video for their single “Word To The Mutha!” which was featured on BBD’s remix album “WBBD City." “I think MCA was only interested in them as a teen group" Stuart says of the group’s solo careers and success. “And no one saw an adult future for New Edition, and I don’t think they saw one either, so they spend a lot of time floundering.”
In 1992 Bobby released his album “Bobby” which went triple platinum thanks to the hits “Humpin’ Around,’ “Good Enough” Get Away” and “Something In Common” a duet with his ex-wife Whitney Houston, while the rest of the group’s follow ups went gold, despite the lack of promotion and airplay, prompting them to give the fans what they’ve been requesting; a reunion album and tour. In September 1996, the group released their album “Home Again” which debuted at # 1 on both the Pop and R&B charts while their single “Hit Me Off” became their highest debuting single peaking at # 3 on the Pop Charts and # 1 on the R&B charts, making them the first group to have a reunion album to achieve that feat. They also won American Music and Soul Train Music Award for Best Male Group and embarked on the “Home Again” tour which made many fans happy. I loved it. They‘re true entertainers" Stuart said of the reunion tour. “I was in Heaven” Jamon Bolton, a 25 year-old male fan said at the meet-up. “That was my first real concert. I got the see them. It was the best Christmas gift I ever got." The tour got off to a great start, but towards the middle of the tour, thing began to spiral of out control. Ego and tensions began to flair causing problems to occur within the band. Things took a drastic turn in New Mexico when De Voe went on stage to let Brown know that he was going over his time, and Brown who admitted to using drugs, got mad and swung his microphone stand at De Voe causing both members of their entourage to fight, resulting in gun fire. This incident caused Brown and Bivins to leave the tour while the rest of the group finished the rest of the dates, and adding insult to injury, MCA released their group’s video “One More Day” with Bell (who sang lead on the track) being the only member in the group appearing in the video leaving many to wonder had the group broken up for good? Johnny had teamed with Gerald Le Vert and Keith Sweat to form the group LSG who scored a gold single with “My Body” earning them nominations for Best New Artist, while Bell and Tresvant appeared on rapper LL Cool J’s single “Candy.” Both Brown and BBD released albums that didn’t do well, though the latter’s single “Da Hot Shit“ got major play on BET thanks to the collaboration with Poster Boy and Shamari from singing group Blaque.
In 2002, the group, minus Brown, who was working an a reality show with Houston, decided to reform and tour, and their shows were selling out and attracting many fans and peers including Sean Diddy Combs, who after attending three of their concerts offered them a deal for his Bad Boy record label, and the group agreed. As long as things looked good on paper, but while recording the album, the group clashed with Diddy who wanted the group to record songs that cater to the teenage market. They had to constantly remind him that they were grown men and they had to record songs that cater to the adult market. “Puffy’s idea about the last album was he’s trying to go after a younger market, but we’re grown men” Gill said on “Behind The Music. “We have to accept that.”
On November 9, 2004, the group released their album gold album “One Love” and their single “Hot2Nite”, which didn’t do well, prompting the label not to release any follow singles. This forced the group to leave the label, and the fans and critics to publicly bash Diddy for being disrespecting the group and their legacy by being arrogant selfish and egotistic. The following year, all six members appeared on BET’s 25 Anniversary special and received a standing ovation and it was there where they announced that all six members would be touring for their 25th anniversary along with working on a book and mini-series, which are in the works as we speak along with an album to be released on Aftermath Records.. They’ve finally purchased the right for their master recordings. While they’re working on the future chapter of their career, many artists have kept their legacy alive by remaking and sampling their songs. Bivns’ protégés Another Bad Creation and Boyz II Men remade their classics “Jealous Girl” and “Can You Stand The Rain”, while former Bad Boy Artists Mase and 112 remade the former hit and re-titled it “Jealous Guy.” Mase’s former group Harlem World sampled “Popcorn Love” for their hit “I Like It,” while Britney Spears remade Brown’s classic “My Prerogative. “ Bow Wow and Ciara sampled their radio hit “I’m Leaving You Again” for their top charting ballad “Like You” and Nick Cannon sampled “BBD’s “Poison” for his hit “Dime Piece.” Bivins also was recruited by Combs to help him put together a male singing group for his label which resulted in singers becoming Day 26, whose self-titled debut received excellent reviews.
After years of fighting for recognition, the group was finally honored last month at the ASCAP awards, with many artists including J. Holiday, Floetry and singing group Brotha paying tribute to them in song and dance, and Starr presenting them their award. bringing smiles to their faces. “It’s kind of the way for the industry for the industry to know what we’re doing” Ralph told reporters at the ceremony “We keep moving, hoping one day we can put out the music we want to." A few days later, New Kids on The Block asked them to record a song on their upcoming reunion album, which goes to show that there are many who remember their legacy and trial they left for them to follow. “They stand the test of time. Like all the great groups The Temptations, The Four Tops and The Jackson 5. They’ve stand the test of the time, although they went through some trials and tribulations, they’re still here” Bolton said. Stuart adds “They’ve very lucky to have fans that stay that long. They started the boy band craze. I don’t think any other band who has fans like New Edition.”
New Edition have come a long way from the Boston Housing Projects to achieve the fame that they were seeking, and while they’ve endured their fare share of pain, and heartache, they’re managed to maintain longevity and become legends, and while it may have taken them a long time to finally receive the respect that’s been long over due, their contributions hasn’t been done in vain, and with their recent honor, the industry is finally waking up and seeing that Ronnie, Bobby, Ricky, Mike, Ralph and Johnny are a part of music history.

FLASHBACK: CLASSIC ALBUM FROM BOY BAND WHO MADE THE TRANSITION FROM BOYS TO MEN





NEW EDITION
HEARTBREAK
MCA RECORDS
PRODUCERS: JIMMY JAM & TERRY LEWIS, NEW EDITION, JELLYBEAN JOHNSON, RALPH TRESVANT
ORIGINAL RELEASE DATE: JUNE 20, 1988
10 ON A SCALE OF 1-5

In 1987, R&B singing group New Edition had reached the crossroads in their career. Orignal co-founder Bobby Brown was voted out for his wild on stage antics, and scored a number one R&B hit with his single “Girlfriend” while remaining members Ricky Bell, Michael Bivins, Ronnie DeVoe and Ralph Tresvant carried on as a quartet. Their first post-Brown release “Under The Blue Moon” failed to reach the gold mark, though they received an American Music Award for Best Male R&B group, but many critics had began to count them out saying that they would no longer be successful. After taking a year off to relax, and regroup, they decided they wasn’t going to be counted out of music history, so they teamed up with hit making writing and producing team, Jimmy Jam & Terry Lewis of The Time, to work on their comeback release “Heartbreak“, which not only went multi-platinum, it also helped them make the smooth and bold transition from bubble gum stars to sexy mature adults with songs about joy, pain and life as entertainers. That and the recruitment of R&B singer Johnny Gill. Born in Washington DC, Gill started singing Gospel with his brothers, but later began performing R&B. later teaming up with childhood friend and neighbor Stacy Lattisaw on the classic “Perfect Combination” winning fans with his strong baritone voice. That was the missing puzzle the group used to help them attack the adult market.
“When we heard that Johnny was on MCA, we felt that would be easier to make a move like that instead of just finding anybody on the street.” Bivins said in the group’s video compilation “New Edition Past & Present.” “We wanted someone of some status and of some vocal ability, because we were going to a new direction, that my help us get into that field which was a more mature sound.”
During high school, I remember reading an article in Right On magazine, about Johnny joining N.E., and I wondered how good the group was going to sound, and after hearing their single “N.E. Heartbreak”, I said to myself; This song is hot!” Two days after I returned from North Carolina, I brought the tape, and was amazed with how they matured as artists and to honor the 20th year anniversary of this classic release, I decided to go down memory lane with a review of one of my favorite albums by one of my favorite groups.
The heat break begins a spoken intro featuring Bivins and Gill, telling the fans that they are going to continue pleasing them and striving for success, which directly leads into the group’s self-penned and produced “That’s The Way We’re Livin’” a hot song, that has a live concert feel courtesy of the audience applauding, beats, bass, synersizers, the live breaks blending vocals, guitar solo by the song’s co-producer Jellybean Johnson. “Where It All Started” is a hot song with hot beats and lyrics that lets the industry and new jacks know that they took the boy band, and though they appreciate being imitated, they need to do their own thing. In addition to the song showcasing DeVoe‘s singing voice, it also has samples of their classic hits, Cool It Now, Candy Girl and Count Me Out.

To stay the best among the rest
We work to keep our movements fresh
This is where it all started from
You listen up dap instead of being clones
Why don‘t you think of something on your own
This is where it all started from.

Their comeback hit “If It Isn‘t Love” is still a favorite a favorite among the fans, and a concert highlight for the group. What make this song timeless are the circus drum intro, breaks, and lyrics about having mixed feelings about love. It also captures one of lead vocalist Tresvant’s best vocal performances to date. Listeners can hear his ranges, and his ability to phrase and harmonize.
“N.E. Heartbreak” is one of my favorite songs on the CD. This funky track permanently shed their bubble guy image, with blunt lyrics about the joys and pains of being entertainers and being heartbroken by fans. Not only does this song has hot Hip-Hop and Go-Go beats, it also features smooth lead and rap performances by Ronnie, Ralph and Ricky, and Johnny giving the track Gospel flavor with his ad-libbing and Michael rapping about being stood up by date who forget to bring the backstage pass.

Girlies and groupies and parties all night
Is the life that can lead you into a N.E. heart break.
From city to city our friends and our fans
They’re the ones who can keep us from having a
N.E. heart break.

“Crucial” is another funky song written by Garry Johnson and Lisa Keith, that has a funky bass line, and guitar solo by Jellybean who gives the song a rock edge during the bridge, wile the smooth flowing mid-tempo “You’re Not My Kind of Girl” is another song that showcases their maturity and captures one of their best and popular hooks and vocal performances to date. Not only does the group sing the hook in mid tenor and falsetto, it also features Ralph and Johnny sharing lead vocals and performing a call and response as well as Ron and Mike‘s spoken parts and Ricky‘s smooth and powerful voice. It also has lyrics about not having chemistry with a female who has the star model looks. “Super Lady” showcases the group’s sexy side, and further demonstrates their songwriting and production skills. The song has nice horn riffs, strings and seductive lyrics and vocals that will put couples in the mood for some one of one action.
“Can You Stand The Rain” is another favorite that still gets spins on radio, and wild audience reaction during N.E.’s performances. What makes this song classic are the lyrics, the sound of bird chirpings, rain drops, thunder and lighting, Johnny‘s, Ralph’s and Ricky’s smooth and soulful vocal performance as well as Biv’s saying “come on baby. "Let’s go get wet" in a sexy voice.
The song also showcases Johnny’s ability to riff while harmonize with the group.
“Competition” is a song about having harmonizing and living together with out fighting, and hating on one another. Written and produced by Ralph, this song has a classic R&B and Gospel feel courtesy of the saxophone, vocals and lyrics, while “I’m Comin’ Home” is a smooth ballad that has beats similar to The S.O.S. Band’s 1983 hit “Tell Me If You Still Care” and features Ralph singing low tenor while the group’s singing falsetto.
The heartbreak ends with their radio and concert hit “Boys To Men” which is a favorite among males, who often find themselves having problem entering into manhood. Though this song wasn’t released as a single, Johnny’s vocals, gives this song an uplifting Gospel feel with his powerful voice, and soulful ad-libbing.
Ronnie, Ricky, Mike, Ralph and Johnny really put their blood, sweat and tears into creating this album, and it came up with a classic, that showed the industry that they were not going to be counted out of music history, and they we’re not kids any more,. They had mature into talented, and sexy men, who still has a huge following who enjoyed their transition from Boys to men.

FACTS ABOUT HEARTBREAK.

1. Ralph didn’t know that Michael Bivins had recruited Johnny to become the member of the group. In a interview with KISS FM, he found out when they began to work on the album, and Ralph who was still upset over Bobby’s absence, didn’t want him in the group because he feared that Johnny would take over as lead vocalist.

2. Johnny didn’t like the song Boys To Men, because he thought it was too immature for his standards. He had been used to singing romantic ballads, and felt that was the type of songs he should have sang, but he decided to record the song his way, and though it was never released as a single, it became one of the group’s biggest hits. It also became a hit many males, who would sing this song at talent shows, but one group of males from Philadelphia took the song a step further. They used the title of the song to name their group, and Boyz II Men not only became a household name, they were managed by Michael Bivins. The group also produced Gill’s 1993 single “I Got You.”

3. Can You Stand The Rain became the group’s fourth number one R&B hit and was remade by Boyz II Men on their 1997 album “Evolution."

Wednesday, July 2, 2008

I'M BACK

I'm back.
I've had a pretty cool and crazy couple of days.
Friday I took part in the Transgender March around City Hall which was good. It felt good to take part in something that will prayfully show people to be more tolerant and respectful of those in the Gay community.
Saturday I got my hair cut and it took an hour in a half.
Sunday I marched in the Gay parade with DJ Baker, Socialite Eric J. Parker and HIV activist BBOP who was having a great time marching and being his outgoing crazy self. He also had to read some jackasses as well. While we were marching, three so-called religious boys (I call them as I remember and saw them) were in front of a church holding up signs saying Homosexuals are sinners, while one held a sign that read The only way to combact Homosexuality is to convert with Islam. When BBOP saw them, he walked over to them and said "If you're gonna have somebody to protest, have some cute boys 'cause you're looking busted!"
I was like you go!
I still don't understand why religous church people always find the time and energy to attack us saying that we're demon-possessed sinners who are going to hell. Yet they be the ones drinking, smoking, clubbing and fucking around.
I was speaking to a friend and he was telling me that they tend to pick on Gay people because they assume that we're weak. Really? Well it took me years to realize that Gay people are the strongest group of people to exist, because many of us have to encounter remarks by ignorant assholes, who have nothing better to do, and yes, it hurts, but we manage to stand strong and contiue living our lives.

Thursday, June 26, 2008

GETTTIN' READY FOR GAY PRIDE

It's the time again for Gay Pride day and your's truly will be marcning in the parade for a 5th time.
I'm looking foward to walking down 5th Avenue looking hot (though I wanna lose my damn gut) and sexy and letting people know that I'm cool with being me and I ain't changing my orientation for no body.
How am I contributing to the Gay community?
By showing support to those who are doing positive things in the community like appearing at many Gay concerts and film festivals, assisting rapper Shorty Roc and using my knowledge and love of music to help DJ Baker, host of DADOODIRTY show, where I was dubbed DA-PROFESSOR.
Everybody thinks that contribuiting finacially is a way to support the community.
Money is always helpful and beneficial, but another way is showing love to each other is the best way to help the community grow.

MY CHAT WITH LEGENARY AND CARING DJ AND HIV WORKER




Once you meet BBOP you won’t help to be drawn to his personality, warm heart and humorous and generous spirit. Not only is he a great person, he’s one of many in the Black Gay Community who cares about keeping the community uplifted, educated and informed about programs, and what’s going on in the entertainment field, which he’s a part of with his Pride network, blog and h is online pod cast that plays Disco, R&B, and slow jams.
I had the opportunity to interview this legend at GMHC where he spoke about the meaning of his name, overcoming child abuse, working on his upcoming novel and the importance of gay community showing love and respect towards each other.

Q: Tell the viewers who is BBOP?
A: I’m 42 years old. Don’t look a day over 32. I’m a single Black Man. Independent. I own the Pride network, which is one of the fastest growing groups on the internet on Yahoo. The Pride network is a group of sharing. Whether it’s pornography, nude photos, public events. We also share progressive posting elements, and I’m the progressive poster.

SUPREMEWRITER: You have a unique name. How did you come up with your nickname and what does it stand for?
BBOP: OK. There were two transgender who had a click of transgender, but I didn’t fit in the transgender click transgender community. But they wanted me to be a part of their circle and they came up with the acronym, and what they came up with was BBOP, and when they broke it down, they came up with Beautiful Boys of Pride. Since then, the circle had broken up, and I took the acronym BBOP and I created a network out of it. I’m currently doing a spin-off of Da Doo Dirty Show, where with CJ Baker plays Hip-Hop and R&B. On the BBOP pod cast, I will be featuring House, Disco Classics and R&B.

SUPREMEWRITER: What inspired you to start your own pod cast?
BBOP” It was another way of sharing. That’s what I’m all about. I like to share everything. It’s there’s some information that some one can benefit from; I like to have that information too. Unlike the rest of the Gay community, who tends to be self-centered. If they have something, they don’t wanna share it.

SUPREMEWRITER: You brought up an interesting point about many in our community being self-centered. Especially when it comes to information concerning HIV/AIDS, housing and benefits. From your perspective, why those in the field choose not to share that information to those who can benefit from it?
BBOP: I don’t’ know what drives people to be self-centered. I’m a certified HIV counselor and it’s my job to give them the guidance they need. Especially the newly infected. It’s my job to give them the guidance they need to so they can provide for themselves. It’s about helping my people to become independent. It’s about helping my people they don’t know how to help themselves.

SUPREMEWRITER: What made you become an AIDS Activist and counselor?
BBOP: I’ve been working in the HIV field for 23 years. Not only am I the president of the company, I’m also the client. Ha-Ha. I’ve been HIV positive for 23 years, so it’s a passion of mine because I went through hard times. It was hard for me to get my self established. I had to get my own HRA. My own foods stamps. My own housing. My own HASA. I don’t want anybody to have to go through what I started studying HIV and STI’s to substance abuse. I’m working in case management. It was very important for me to help people acquire these things for themselves.

SUPREMEWRITER: How long you been in the entertainment field
BBOP: I’m not in the entertainment field anymore. Back in the day, I did a lot of performances. I performed as Billy Ocean. There’s a lot of transgender who perform as their idols. I performed as Billy Ocean. I even performed as Donna Summer, I would do these performances in competitions and win first place. It was another way for me to open myself very openly and honestly.

SUPREMEWRITER: You brought up an interesting point about performing as both your favorite female and male music idols. As we both know, there are many Openly Gay R&B and Pop Male singers and Rappers who want to get the exposure, but many Gay Pride organizations and organizers chose to hire and pay drag queens, as opposed to paying them. How do you feel about this subject?
BBOP: I think they need to hire them. Hire within. Support your people. Why are you hiring a transgender to give a performance; giving them that money. Giving them that break when there’s people you claim to care for that’s but you wanna give it to them. Give it to the people. That money wasn’t intended for the professional transgender community. The grant money you receive is intended for the community you serve! If the community is not getting the money it’s intended for then yes, I have a problem with it!

SUPREMEWRITER: With you running the network, hosting your show and doing counseling, how do you manage to balance your time?
BBOP: Oh balance is one of those things I’m trying to achieve. I preach about balance all the time, and I think it can be acquired. However it’s very difficult to acquire balance when you’re taking on too much. I’ve got six thousand members in my network, but the Beautiful Boy of Pride is connected to other networks, when I have sit there and go through emails. Balance is not impossible. It’s difficult, but it’s not impossible. Never take on more than what you can chew.

SUPREMEWRITER: You also write sensual, erotic stories. How did you get into writing those types of stories?
BBOP: Well it’s funny. I read B-Boy Blues by James Earl Hardy, and I was extremely inspired. I only read the one book, but I was inspired because he was writing this and I was thinking it. I have an exotic mind. What I think about it’s usually erotic, sensual and sexual. When I write my stories, my stories and part fact and part fictional. I’m hoping to publish my first book this year. My first title was “Down Low Drug Dealers Desire” about a drug dealer and guy who move into the neighborhood, and they develop a relationship. The local who moved into the area was struggling with drug addiction. That’s the realistic part, because I dealt with drug addiction for many years, so I always had this fantasy of being with this notoriously drug dealer. Not Nicky Barnes. I’m talking about a sexy, thug, scruffy drug dealer, so I moved into the towers. I’m not saying which towers; there was this dealer who lived next door to me. I’m not gonna give away the story. I like for you to get the story since I finished writing.

SUPREMEWRITER: If your book was to be made into a movie, who would you love to play the drug dealer?
BBOP I would love for Nick Cannon to play my drug dealer. (Laughs seductively). I want Nick Cannon to be by my side when I’m working down to red carpet.

SUPREMEWRITER: I hear he has a big dick.
BBOP: That’s what Mickey Day is always talking about. I want Nick Cannon to be by my side when I’m walking down the red carpet. I don’t care whether it’s a red carpet or blue carpet. I want Nick Cannon to be my side. Tell me something about my eyes (both laugh).

SUPREMEWRITER: How do you think you’re making an impact of the Gay Community?
BBOP: Oh my God. Just being me. By just being me. There’s so many people who see the way I am, and see what a free spirit I am, and see I don’t have a care in the world except supporting myself. (And) they be like how do I get to that level? How do I get to that level? Determination. Responsibility. Passion, independence, knowledge, education.
I started studying in the HIV field which is a passion of mine because people need to know where this disease came from; how it originated. How it’s being treated and how the hell we’re gonna knock it out. I think the biggest part is testing people and basically helping them get on their feet. When they get a positive reading, they don’t know what to do next, and if you don’t have a person who cares about them, they become lost. To love you until you love yourself. That was said at Phillip’s memorial. That’s a philosophy they got from me. How I love you until you love yourself. Watch me love myself.

SUPREMEWRITER: Where do you see yourself in the next 5 or 10 years?
BBOP: A noted author. A much bigger radio personality that I am. In a bigger apartment (laughs). Most likely, having a college degree. When I had to go out on my own, I had to support myself. There was no time for me to finish college. I had to leave the house because my stepfather didn’t like the fact that there was someone in the house who was HIV positive, so he made it extremely difficult for me and I wound up leaving my mother’s house against her will. I just could not live like that. I couldn’t live in an environment were my stepfather had to have his own fork, his own spoon, his own coffee cup, his own glass. He tormented me for my status and he died from it. What was he doing? Inquiring minds want to know. I never had the support that I needed. When my stepfather died, everybody knew he was dying, but nobody told me. I have an issue with my family because they knew. When my mother found out, she committed suicide and he died ten years later.

SUPREWMEWRITER: That’s deep.
BBOP: When I was talking about the lack of support I had in my family, I left out someone. My older brother. I can tell you what it’s like to be molested; abuse tortured over a period of ten years. What hurt me only made me stronger. The things that hurt me only made me stronger. I don’t want don’t want anybody to go through what I went through.

AT HOME WITH POPULAR PARTY THROWER

When I first met Eric J. Parker, I noticed how professional he conducted himself. Very professional and laid back. A week later at Alibi’s I saw him walking around greeting the guests, drinking, and getting his dance on when Original Destiny’s Child member Beyonce’s #68 Pop hit “Get Me Bodied” came on. He had the party turned out. That’s what he’s about. Throwing parties, and making people having fun
Born in Brooklyn and raised in Queens Parker, who also wrote for Next Magazine, has been becoming a hot socialite by coordinating many parties, with themes that are interesting and innovative. I had the opportunity to speak with him at his home where we spoke about partying, and Brandy.

SUPREMEWRITER: Tell us who is Eric J. Parker?
ERIC: Eric J. Parker is this amazing work of art. He’s the guru of all kinds. He’ the creation of the New York Socialites. Eric J. Parker is the socialite.

SUPREMEWRITER: What made you decide to become a socialite?
ERIC: I guess it come with time as I started going to the parties and meeting other people. Being a socialite was something I was born to do, but I guess over the years I started to become that title by going to the party and meeting the necessary people.

SUPREMEWRITER: What are your duties as a socialite?
ERIC: A socialite is someone who knows how to work the room. Someone who can work with the best to be with the best. Who mingles with the best to be exact. Paris Hilton is the ultimate party socialite. She can go to a gay party. A straight party, A handicap party and make the room hers. A socialite is an entertainer. A personality. Either you got it or you don’t. That's what the New York City Socialites is.

SUPREMEWRITER: What parties have your thrown?
ERIC: We threw DJ Baker’s birthday party. We threw Jamal Tucker’s book release party; we threw our first “I Hate You’ party. We did the weekly S party that went down from January through April. We’re in the process of doing our one year anniversary party. We also did Pair unleashed at Flute Bar, which was a one time event. We did a lot of things within the year. We did Mantra kick off party. Eric J. Parker’s birthday party. We have Andre Elite’s salon grand opening. We did Baron’s pre-CD release party. Andre Elite and Baron are signed under our media company. Expect to see a lot of things.

SUPREMEWRITER: I attended the “I Hate Me” party, and it was fun. What inspired you to create a theme like that?
ERIC: What made me decide to throw the “I Hate You” party, was the mere fact that it was on Valentines Day, and for years, I was single before DJ came. There’s people who generally like Valentines Day. I’m not saying I’m not one of them; I do, but I was like let’s do something different? Why not do a different twist.
That’s what makes us different. That’s was a spear of the moment thing decision, and it wound up being that most amazing event. We even got photos of you partying. It was great.

SUPREMEWRITER: You’re also throwing a Grown and Sexy party this fall. What will that be like?
ERIC: Well the grown and sexy party will have three artists performing and a Hip-Hop fashion show. Right now, we got Baron to perform That’s gonna be a big performance for Baron to perform on one stage. The Grown and Sexy party is going to be for the grown and sexy elite to see what the socialites ware about We’re putting artists on blast showing what they’re capable of doing.

SUPREMEWRITER: Eric. You have a great idea. As you know, most party throwers parties that cater to the House and Hip-Hop music lovers, but we hardly have any promoters who throw parties for Gay men who enjoy dressing sexy and listening to R&B music and performers. What you think about that?
ERIC: I feel good about it. Like you said, there aren’t too many people in the gay community who work outside the box and I’m proud to say my company’s the first to do so and hopefully, all we can do is start a trend.

SIPREMEWRITER: What is the dress code for the party?
ERIC: The dress code for the grown and sexy is dress grown and sexy. Come casual. Come looking like a star. It’s your red carpet to shine. I’m in the process of having something real good. Hopefully things work out but it’s your night to shine; Show your grown and sexy colors.

SUPREMEWRITER: Who would you like to throw a party for?
ERIC: I would like to throw a party for Paris Hilton.

SUPREMEWRITER: I know that you’re a huge fan of Brandy. What do you admire about her?
ERIC: I admire Brandy. Everything. I admire her realness. She’s real and she’s talented. Very talented. She’s a great writer. She brings her realness to her music. That’s what I admire about her.

SURPEMEWRITER: I also heard you’re planning on returning back to acting.
ERIC: Eventually in the future. That’s a though. Everybody who knows me, know I’m an actor, but I think in a couple of years, I’ll get back into acting perhaps after I established this company.

SUPREMEWRITER: Last question. You and DJ Baker have been dating for almost five years. How do you manage to maintain a relationship while pursuing your careers in entertainment?
ERIC: you know it’s all about communication and trust. The key words that DJ says are communication, trust, honesty, respect and chemistry. Like those are the five things we need in a relationship to make it last and I’m grateful to have someone in my life. It’s just being honest with that person.

MY CHAT AND KIKI WITH COMMUNITY FACILTATOR AND FASHION DESIGNER

When I first met Maurice Runae, I couldn’t help to notice that he had his own unique style of fashion that made him stand out along with his long well groomed twists. After hanging out with him I noticed that he’s also a cool person who’s very active in the community, and he has no problem addressing issues that concerns the community including maintaining physical and mental health, homophobia and knowing how to make sure you spend time with your man. Those are the topics we talked about during our interview that took place at GMHC.

SUPREMEWRITER: Who is Maurice Runae?
MAURICE: I’m currently doing a show called “Vantage Point. I’m also doing my fashion line and online magazine. I’m currently holding two positions at GMHC.

SUPREMEWRITER: What made you decide to get into fashion design?
MAURICE: I’ve always been into fashion. At a young age. I always watched television and I always saw that they were wearing and I was like I can d that better. About a year or two ago, I decided I want to have my own fashion company.

SUPREMEWRITER: What does your fashion line consists of?
MAURICE: It consists of a lot of crystals, beads. I just started venturing out to other pieces of garments. I just started doing jeans and boots, but it originally started out as t-shirts. Customized t-shirts and button ups.

SUPREMEWRITER: What prompted you to start your online magazine?
MAURICE It was a lot of things that were going one around me that no one wanted to talk about. And so I was already known in the community so I just used that opportunity to talk about things that peo0le was scared to talk about.

SUPREMEWRITER: I read your magazine, and I remember you writing an article about Reggae artists who record songs that justify the killing of Gay people. How important was it for you to write that article and discuss this topic?
MAURICE: I think as far as Reggae artists, with homophobic songs, we kind of promote them in a way we go and by the music. We up in the club up and dancing to it; we gyrating. They’re saying boom bye-bye batty boy and we gyrating all over the place. You can’t be on both sides of the spectrum. One aspect you’re saying I don’t support it. I personally don’t listen to those songs that promote homosexuality discrimination, but it’s real but I thank as time passed, more people have banned together. They’re stopping their concerts; they’re not buying their songs. Some of them have to move back to Jamaica to make it, so I think eventually they’re gonna get the point that we’re not gonna stand for it and eventually it’ll fade off.

SUPREMEWRITER: I’ve had this discussion with other Gay people, and I was telling how many of the kids are aware of what the artists are saying, yet they be dancing and grinding to the song. From your perspective, why do they do that knowing that the song is talking about hurting and killing them?
MAURICE: ‘Cause I think that people aren’t socially conscious. If you go to the club, they’re not really listening to what the words are saying. It’s the beat. They go to the club, they’re feeling the song. The liquor kicks in, so they’re not really paying attention to the song. I think when people are really pay attention to the song when they’re at home playing it in a closed setting, and you listen to the song, and you’ll be like ‘Oh my God, he just said kill me.’ Then you have some who don’t care. There are some who aren’t connected to social issues.

SUPREMEWRITER: You also work at GMHC. What are your job duties?
MAURICE: I am the co-facilitator for a group called Many Men, Many Voices. We give you skills to better yourself. We don’t tell you what to do, but we give you the skills for life changes. I’m also the recruiter for Choices, that’s also an intervention group, where they give you the skills for disclosure and again, we don’t tell you to disclosure. We give you the skills to disclosure.

SUPREMEWRITER: How long have you been working at GMHC?
MAURICE: Gosh. I’ve been at GMHC since 2004, but prior to that I had another job. I volunteered here, and I left the Board of Ed and came here,

SUPREMEWRITER: You’re also doing a show with Nathan 7 Scott.
MARUICE: That show is a talk show. I don’t want to compare it to “The View” but it gives you that feel. I aired on February 20the. It’s gonna be on the air channel on You Tube. We’re trying to get further than that. You will be impressed.

SUPREMEWRITER: How do you manage your private and social life while working crating fashion and working on your magazine?
MAURICE: Are you asking if I love to date? (Both laugh)

SUPREMEWRITER: No. I’m asking how do you manage to have a social life besides networking?
MAURICE: I always say make time for your man. When he complains about you’re not spending enough time with him, that’s when you’re working too much and you need to take a step back. What I found in past relationships, I’m single now. Single and looking (both laugh). What I found in past relationships in to incorporate him into what you do. Whenever I had a function it wouldn’t hurt to ask if he wanted to go. It would be his choice whether or not he wanted to come.
You should also make me time. I cherish my days off when I’m not just doing anything because I’m busy ass the time. When I have my days off, I like to eat, lay back, watch Confidential, watch a horror movie and if I’m in a relationship, I just like to lay back and chill. That’s what a lot of us don’t do. That will actually cause health problems as well. Your blood pressure will go through the roof. You need to kick back, relax. Go shopping. Just relax.

SUPREMEWRITER: You mentioned a great point about how important it is for people to focus on their health. Why should people especially in the Black Gay community to focus on maintaining their health?
MAURICE: I think you need to stay focus on your health. Stress and fatigue plays a number on your body, and will make your body fall apart, cause it’s telling you to lay down. So when you won’t lie down, your body will make you lay down. I think that Afro-American people, we don’t go to doctors so any little thing you can do to keep your body maintained is successful. What the sense of being successful if you ain’t around to see the benefits of it.

SUPREMEWRITER: Where do you see yourself in the next 5 or 10 years?
MAURICE: Rich (laughs) Wealthy. Just say OK. Hopefully married. As long as I’m healthy, successful and financially secure.

SUPREMEWRITER: If you a change to design clothes for any famous celebrity, who would it be?
MAURICE: It would be Morris Chestnut. I love that man!! Morris Chestnut and Blair Underwood.
SUPREMEWRITER: They are both sexy and classy!!
MAURICE: Who you telling? There was a stripper who was at Splash, who looked just like him.
SUPREMEWRITER: What is about them they makes you want to dress them up?
MAURICE: Look at there bodies!! You see their bodies?!! They all sexy, choc lately. I absolutely adore them. I’m just a fan of beauty. I se beauty in a lot of things people don’t . Dimjou. I think he’s sexy. Kudos to Kimora Lee. I couldn’t be her friend because I’d be looking at her man all day. I happen to think Seal is sexy.
SUPREMEWRITER: Especially since he cut off his dreads.
MAURICE: Heidi Klum must do because she can’t stop getting pregnant by him. I would love to design for Puffy, because he’s flashy. If it was a girl, I would design for Lil’ Kim. I would design and blinged out bra and panty set with some blinged out boots.

SUPREMEWRITER: How do you think you’re making an impact on the Gay community?
MAURICE: Just being myself. I think I’m at a point in my life where I’m comfortable with who I and what I’ve become and what I’m going to be. Fit on that street, and you can tell people to get off and cross the street when you feel like it. When I walk outside, the world is my stage, and the people are my audience. First of all, I live in Brooklyn and people question how I look, but I always say, if you’re confident, people will pick up on that. Don’t look like a victim. When you walk down the street, walk like you own the street. Walk like you pay rent and walk like you can make them walk across the street.
There was a time when I was very withdrawn. I was shy (and) I didn’t want to talk to people. That’s because I didn’t understand myself, and when you don’t understand yourself, you can’t relate and understand people. At the time I realized I was gay, I had a girlfriend, and I know a lot of them are going to gag when they hear that. I have pictures that show I used to dress like a boy, but it just got the point where I had to be comfortable with myself and with who I am and look in the mirror and say ‘damn I love myself ‘and I’m that point now. I tell young kids today you can be who you are, but be classy about it and respect yourself and people with respect you

Thursday, June 12, 2008

MY FAVORITE TOP 25 HIP-HOP ALBUMS

Wassup readers.
Those who listen to DA DOO DIRTY SHOW knows me as the music specialist who loves the sound of Motown.
That's very true. I do love the sounds of Motown and classic soul, but I do love some Hip Hop music (DA Professor loves Hip-Hop?) Yes, I love some Hip-Hop artists (I remember my mother buying The Sugar Hill Gang's 1979 classic "Rapper's Delight" which became a classic, and though I love listening to the sounds of The Supremes, The Temptations, The 4 Tops, I like to listen to some Hip Hop from time to time. Especially if it's good and here is my list of my favorite Hip-Hop albums

1. Nas-Illmatic (1994 Columbia Records)
2. Hi-Tek & Talib Kweli-Train of Thought (2000 Rawkus Records)
3. Dizzie Rascal-Boy In Da Corner (2003 XL Recordins) and Akala-It's Not A Rumour
4. Salt-N-Pepa-Brand New (1997 Red Ant Records)
5. Queen Latifah-Black Reign (1993 Motown Records)
6. Lil'Kim-The Naked Truth (2005 Queen Bee Records)& Shorty Roc-Jackin' Beats The Mixtape (2004 Independely Released)

7. A Tribe Called Quest-Low End Theory (1991 Jive Records)
8. Nikki D-Daddy's Little Girl (1991 Def Jam Records)
9. Slick Rick-The Adventures of Slick Rick (1989 Def Jam Records)
10. Big Daddy Kane-It's A Big Daddy Thing (1989 Cold Chillin'Records)
11. MC Hammer-Please Hammer Don't Hurt'Em (1990 Capitol Records)
12. Heavy D & The Boyz-Blue Funk & Nothing But Love (Uptown Records)
13. BWP-The Bytches (1991 No Face Records)
14. D-Nice-Call Me D-Nice (1990 Jive Records)
15. Ice Cube-Death Certificate (1991 Priority Records)
16. LL Cool J-Bigger And Defer (1987 Def Jam Records) and Run DMC-Raisin' Hell (1986 Profile Records)
17. EPMD-Unfinished Business (1989 Fresh/Sleeping Bag Records) and Business As Usual (1990 Def Jam Records)
18. Journalist-Scribes of Life (2002 Motown Records)
19. Tim Dogg-Penincillin On Wax (1991 Ruff House Records)
20. The Notorius Big-Ready To Die & Craig Mack-Project: Funk DA World (Both released on Bad Boy Records 1994)
21. Nelly-Nellyville (2002 Universal Records)
22. Special Ed-Youngest In Charge (1989 Profile Records)
23. MC Trouble-Gotta Get A Grip (1990 Motown Records)
24. Nas-It Was Written (1996 Columbia Records)
25. The Fugees-The Score (1995 Ruffhouse Records)

BACK IN THE SWING OF THINGS: GAINING CONFIDENCE

Last Monday as I was visiting my doctor, I began to experience chest pains. The pains were so severe that I had to be rushed to the ER, where I was treated, and released, and I was greatful to God that it wasn't serious. I was told to get lots of rest, which I did, while I missed my meeting at SOS, an Anti-Violence group I volunteer at. When I called to inform them about my absence, the head of the group asked if I needed anything?
"A bottle of water" I said.
That evening, she and two other members of the group brought me two bottles of water and told me to call if I needed anything.
I was really touched by their love and concern, which showed me that there are people in the Gay community who care about each other and I was thankful for their love and concern.
After they left, I began to have Reflections about a church (which is a fuckin'cult) that I was a part of for 6 years, where I experienced drama, mental, spiritual and on three occasions physical altercations with three leaders.
Their views were that they were the only true church and that in order to make it to Heaven, you had to get Baptized and join their church.
After joining, I was required to be at various events, give up being Gay, and date the sisters in the congregation, which I did.
Each members were assigned a Disciple partner (mentor) who was supposed to help you grow spiritually, and while some did, others were a bunch of egotistic controlling jackasses.
Out of the 9 I had, I had excellelnt relationships with 4, who were mature, loving, caring and respectful, while the others were caught up into legalism, impressing the leaders and not having compassion and commonsense.
I was told by some leaders to change my voice to sound masculine (like Ja-Rule and DMX) because if I didn't I would make my wife struggle spiritual and uncomfortable and that was the reason why guys were trying to holla at me.
I was told that I had to date the sisters every week because if I didn't they would leave and get with a man in the world who was quote on quote treat them bad.
My second mentor forced me to go to service though I was suffering from an ear infection. (He said I couldn't miss chruch unless I was in the hospital with tubes inside me). He also got me at me cuz I didn't call him despite him knowing I was suffering from 2 ear infections and was on heavy medication.
He got mad at me cuz I didn't call to see if a friend was coming to church though I told him that I lost a family friend and I was busy helping my friend prepare for her late Grandmother's funeral. (That nigga had the nerve to tell me "I shouldn't use helping my friend with funeral plans as an excuse for not seeing if my friend was coming out! the nigga also had his number to).
He also grabbed me one day at school during an arguement that he started.
Another leader had grabbed me and dragged me down the street because I was late for an meeting.
Some members would get mad if I didn't date on a regular basis.
After feeling depressed, and getting tired of being forced to be someone I wasn't, I had to follow the advice of Mary, Cindy, Scherrie and Susaye, and "Let My Heart Do The Walking." In other words, I left, and started to focus on my education, my health and growing into a Gay/SGL man who received 2 scholarships, and respect as a writer.
It also showed me that Gay/SGL people are not sinners, and demon-possessed people.
Gay people are just as spiritual (some are even more), and it shows that those who curse you will be cursed and those who blessed you will be blessed.

Though I'm not a perfect person, I'm still growing as a person, and I'm glad to be a Black Gay man who's overcome spiritual abuse.

As Tina Turner says
When The Heartache Is Over, I know I won't be missing you

Thanks to the staff of SOS for the love and support.

Thursday, June 5, 2008

ONLINE CHAT WITH TALENTED AND ASPIRING WRITER


Since the creation of MYSPACE, many musicians, dancers, and directors have been using the popular site as a way to market their music, videos and promote their parties, and aspiring author Nelsom Mallory is using the site to showcase his novel "Faggots Are Funny" which has been gaining rave reviews and intersts from publishers.
Born and raised in the Bronx, Mallory, a graduate of N.Y.U. began writing while he was in high school, where his humanities teacher who was impressed with his work encouraged him to pursue his writing, which is something he's been doing passionately. The talented and down to earth writer took time to interview me via email to speak about his start in writing, the inspiration for his story, and what he plans to do in the future.

SUPREMEWRITER: Thanks for allowing me the opportunity to interview you. Can you give the viewers some information about yourself please?
NELSON: Well, I'm innately creative and have been all my life. I intend to use my creativity to inspire others.

SUPREMEWRITER: How did you get into writing?
NELSON: I started writing creatively when I was in high school and my humanities teacher wrote on my alternate ending for the play The Crucible that "this should be published."

SUPREMEWRITER: Your stories and series "Faggots Are Funny" are getting lots of positive response from viewers on myspace. What was the inspiration for the story? NELSON: I've always wanted to tackle the issue of the hyper-masculinity and self hatred among some closeted gay men. This story gave me an opportunity to address the many historical variables that keep countless men from embracing their sexuality. I really tried to implicitly incorporate the amalgam of social conditioning that dictates the behaviors of not just closeted black gay men, but black men in general.

SUPREMEWRITER:I've notice that the story deals with a coming of age situation where a college student is having problems coping with his sexuality. What was the inspiration for that?
NELSON: I'm not that far removed from college life, and so young black gay males in college has been a consistent theme in my writing.

SUPREMEWRITER: Another thing I like about the story is how Malik's lover is secure with himself and is able to speak up for himself and check Malik's ass when he gets out of line. How important was it to have the secure Gay man strong-minded?
NELSON: It was a concerted effort that was meant as a direct contrast to Malik and really illustrated the spectrum of self-acceptance among black gay men.

SUPREMEWRITER: I also applaud you for having the characters in college and pursuing education and goals. How important is for stories to show Black and Latino Gay males pursuing education and careers as to partying all the time, and not being serious about life?
NELSON: I personally prefer to write these characters as in college or having gone to college because I do believe that it positively resonates with readers. It's a popular theme of mine, but I've also written stories where the characters are not formally educated and I will continue to do so.

SUPREMEWRITER: The chapters are the rave on myspace. How does it feel to have a following without having your work published yet?
NELSON: It's thrilling. My readers inspire me because they challenge the notion that most of the country is anti-reading.

SUPREMEWRITER: Now that the book is completed have you been meeting with any publishing companies to have it published?
NELSON: Yes. It's an ongoing process and I'm currently making a lot of progress.

SUPREMEWRITER: What will make your novel different from the other Black Gay novels that are on the market?
NELSON: I hope that readers of all backgrounds are able to identify with the book's protagonist, because like so many he is both full of angst and optimism.

SUPREMEWRITER: If you don't find a publisher, will you consider publishing the book yourself?
NELSON: Self-publishing is certainly an option.

SUPREMEWRITER: Which writers do you admire and respect and why?
NELSON: Many, but my favorite book and by default my favorite author is Invisible Man by Ralph Ellison.

SUPREMEWRITER: Do you have any other books in the works?
NELSON: I am currently coming up with ideas for a second novel.

SUPREMEWRITER: If your book was to be made into a movie, who would you like to play the main characters and who would you like to appear on the soundtrack?
NELSON: I can't think of any particular actors, but I would love for Stevie Wonder to contribute any of his amazing work.

SUPREMEWRITER: You're a graduate of NYU. What was it like being a Black Gay male attending a prestigious school and how did it shape you as a person?
NELSON: It was invaluable. It was the ideal school for me. The right college experience prepares you intellectually, but it's also made up of fun times and amazing memories.

SUPREMEWRITER: In addition to writing do you have any other talents?
NELSON:I would love to produce a film in the near future.

SUPREMEWRITER: What do you like to do when you're not being creative?
NELSON: Friends, Friends, Friends!

SUPREMEWRITER: What advice would you give to an aspiring author who wants to publish a book and how do you want your book to make an impact on Gay literature?
NELSON: To my fellow aspiring writers, make sure the work is well written and engaging. As far as impact, I'm not as concerned with quantity as I am the quality of impact my work might have. I know different people will take something different from my work. I just want it to be positive.

To see Nelson's work, you can log on to
www.myspace.com/storiesbynelson
www.storiesbynelson.blogspot.com

Wednesday, June 4, 2008

SEXY MUSICAL HORNY TOADS FIND NEW MEMBER AND CONTINUES TO CRANK OUT GOOD MUSIC




When singer/songwriter Pleasure P announced he was leaving singing/rap group Pretty Ricky, many fans were shocked at the news of his departure and wondered why?
According to a lawsuit by the former vocalist (real name Marcus Ramone Cooper), who's Gospel tenor voice graced the hits "Your Body," "Grind On Me" and "On The Hotline" he hadn't received any royalites for his work on the group's platnium albums "Bluestars" and "Late Night Special" that the latter debuted at number one. The suit alleges that the group's manager Joseph Smith took on many roles that he felt were in conflict of interest including acting as the group's personal manager, road manager, booking agent and music publisher. In addition to taking on the role of surrogate father, he also stated that Smith, the biological father to group members Baby Blue, Spectacular and Slick "Em attacked a friend of his as a form of intimadation, when he began to distance himself from the rest of the group. Though the suit is still pending, and Pleasure is working on a solo album, he doesn't hold any bad feelings towards the rest of the group.
"It was my daddy I fell out with" he told Jet Magazine. "But I'll always love my brothers."
Filling the shoes of a departed group member is no easy task, but the other members of Pretty Ricky found and recruited 4Play, a singer from Pittsburg Pennsylvania, who was introduced to the public on "21 Days of 4Play," a special that shows him hanging out with the group in the studio which can be seen on their website www.prettyricky.com.

I’ve been working towards this moment my whole life,” 4Play said in a press statment. “To see the success finally happen, to actually be making music and to be a part of the Pretty Ricky family, is like watching my dreams come true. I feel truly blessed.”

When I heard that they finally found a new member and a new single, I had to see if he has the looks and voice to help take the sexy music horny toads to another level, and I have to say that he has a tight body, and smooth tenor voice, there are some simialrites to Pleasure, and in order for me to make a fair and accurate conclusion, I need to hear more of his singing (not just riffs) on the group's upcoming album "80's Babies" (scheduled to be released on August 26) and I have to see him perform the group's classic songs live. I would also like to learn more about his upbringing and background. In the video, he didn't talk about his musical influences, what inspired him to pursue a career in music, and how he even got into the group who's known for singing and rapping about sex. He does however talked about what he plans on bringing to the group as for as personality and sex appeal. 4Play has a tough task of filling Pleasure's Shoes because the fans are going to be listening to hear how good he sound live, and if he can help the group grow while making a name for himself.

To see the special and hear the single check out
www.prettyricky.com

Thursday, May 29, 2008

SOUTHERN BOY FINDS THINGS TO DO AND BOOTY TO BANG IN HOT FLICK

HOME ALONE
STARRING: JOVANNIE, CARLITO, DOMINIC, DRE, NUBIUS, SHORTY J, JUNE & REMY MARS
PRODUCED & DIRECTED BY MARVIN JONES
(IMPORTANT!! THIS IS AN ADULT FILM AND BOTH THE FILM AND REVIEW ARE FOR VIEWERS 18 YEARS OF AGE OF OLDER SO PLEASE VIEW WITH DISCRETION!)

Being left along has many pros and cons. The pros are being able to relax, catch up on some overdue work and spending quality time by yourself. The cons are not being to satisfy yourself your partner sexually, leaving one to rely on adult films, magazines, self pleasure and having flings. Especially if a couple has an open relationship. That’s the theme of “Home Alone” the starring Jovannie, who turns out all the guys in this release so well that viewers will have problems deciding what scene to bust.
Besides his huge dick, and gold teeth, I also loved how Jovannie showcases his Southern roots by introducing himself to his partners along with tearing their asses up.
The film begins with Jovannie answering his apartment door wearing a towel and letthing the plumber played by Carlito in to fix the hot water pipe. While Carlito is in the bathroom fixing the plumbing, Jovannie lies on his bed, lights and smoke a blunt while playing with his huge (and I do mean huge) dick. While he’s in his zone, Carlito comes out the bathroom, slowly unzips his jumpsuit and watches his customer, who becomes embarrassed and decides to apologize, but Carlito isn’t bothered.
“My bad. Is it fixed?”
“Yeah but I’ve been fixing the wrong pipe.” Carlito replies before he begins to suck Jovannie’s dick, which turns them both on
“You know how to fix that pipe nigga” Jovannie say before Carilto asks if he can take off his clothes and take a hit of the blunt. After getting undressed, he climbs into the bed and continues sucking Jovannie off before he sits on his dick.
“Ah shit. This is a big dick” he says before he rides it.
“You like that shit nigga” Jovannie asks
“I’m loving that shit” Carlito replies
“After riding it for a few minutes, Carlito asks Jovannie to let him get on his knees and that’s when he lets the beast out by fucking and slapping Carlito’s ass.
“Take this shit” he says before he slaps the side of his ass hard. After a few more strokes, Jovannie fucks the plumber missionary style and makes him lose control and says his name.
“Say my name” Jovannie demands while he’s pounding his insides out forcing Carlito to bust a creamy load on his stomach.
Scene two starts off with Jovannie dressed in a fitted cap, vest and shirt speaking to City Bwoi about receiving a package from UPS, which fades into Jovannie answering the door and was surprised to see his friend Dominic working for UPS. Domnic was also surprised to see Jovannie was home alone
“Yeah” he says while rubbing his chest
“I get off in five minutes” Dominic replies as Jovannie leads him into the bedroom, where Dominic asks him what time is it
“You know what time it is”
“Let’s get it popping>“
Dominic wastes no time sucking on Jovannie’s southern sausage, which turns him on
“That’s some good mother fucking head B” Jovannie says while Dominic deep throats him.
Then they both climb in the middle of the bed, where Dominic continues to use his hot tongue to suck his ball and eat his ass as an attempt to get him open to fuck him, but Jovannie lets him know that though he enjoys getting his ass ate, he’s going to be the one doing the fucking, and within a matter of seconds, he has Dominic on his knees taking his dick before laying him on his back and fucking him so hard that he has him moaning and speaking in Spainish. In this scene, viewers will see Jovannie’s ability to move from power fucking to grinding, which adds sensuality to his performance.
“You loving this dick?” he asks
“Can’t you tell” Dominic replies seductively.
After sucking him off Jovanne busts on his face and asks him where is his package.

Scene 3 is what I call the pissed off I’m gonna fuck anybody any where scene. Jovannie is on his cell asking Citi Bwoi when is coming back home, because he has to leave town for business, and he becomes pissed to learn that Bwoi’s trip has been unexpectedly delayed at the last minute, which means that they won’t see each other for another three weeks. Then there’s a knock on the door, and let’s Dre who’s there to check on his cable enters, and no sooner then they enter the bedroom, Jovanne, still pissed at Citi’s unexpected delay, enters the room wearing nothing but a towel and do-rag, slowly closes the door, lays on the bed and whips out his dick.
“You think you can fix this” he asks
“Oh I think I can fix that” Dre replies before he hops on his knees and suck Jovannie off very slowly while Jovannie throat fucks him and asks him to get out his clothes before he has him on his stomach and begins to grind and kiss him adding a little sensual and intimacy which prepares him for the hot sex action
Jovannie manages to stick his dick inside Dre who has trouble taking it at first
“Don’t try to run from this shit” he says as he tries to insert it
Jovannie manages to fuck him doggy style before hitting him from behind while they’re both standing up on the bed where Jovannie pounds him to the point of him asking him to chill out so he can get on his back, but later changes his mind and goes back to fixing the cable box leaving Jovannie to wonder did he do anything wrong.
Jovannie heads to a sex spot where he finds Nubius laying on the bed naked and waited for some action. After introducing themselves and giving each other pounds, Nubius gets off the bed, lifts Jovannie up in the air, lays him on the bed, takes off his pants and boxer briefs and begins to suck him off, and before you know it, Jovannie has Nubius on his knees screaming and being submissive (I love to see big sexy muscular guys getting fucked by slender sexy guys) while he’s getting fucked and having his ass slapped making Numbius scream his name. Known for being a bad boy in previous flicks, Nubius tells him he wants to ride his dick, but has second thoughts when he realizes how big it is, but Jovannie refuses to let him cop out. Nubius manages to rides it while Jovannie slaps his ass, and makes him gets on his back where he has his legs spread out all over the bed and wears him out to the point where neither gets the chance to bust.
While Jovannie is stoking his joint, Philadelphia native Shorty J enters the room wearing a down coat, brown do-rag, and jeans, eager to get his rocks off. After introducing themselves, Shorty wastes no time sucking of Jovannie who tells him to get out his clothes and the short muscular star doesn’t hesitate. While he’s sucking him off he stands on top of him and models off his short and muscular physique before he sits on his dick and decides to give him a little competition by having a Pretty Ricky moment by grinding on him, but Jovannie reminds him who’s the head dawg in the room and he fucks him to the point where Shorty forgets Jovannie’s name
“Jovannie. Say it nigga” he says as
Frustrated, he has Shorty on his knees while hits him from the back and forces Shorty to take his dick after he pulls away from it. Then he has him on his back and pounds him like a mad man before having him on his side where he’s able to go deep inside
“Hit that shit baby” J says before he gets on his back, and after getting fucked a few times, realizes he’s unable to take Jovannie’s dick, but Jovannie decides to get rough by grabbing his neck, and pound harder to the point where Shorty has to tell him he can’t take no more.
After taking off his do-rag, Jovannie tries to shoot a load, when June another Latin hottie enters the room, and begins sucking him off while Jovannie begins to rub his nice sized ass adding sensuality to the scene.
“Get out those clothes so I can see what you working with” he says
June wastes no time in getting naked, and getting in the middle of the bed, where he sucks Jovannie off like a wild man by licking the side and tip of his dick before he jumps on top Jovannie where they participate in frottage (dry humping) while Jovannie slaps his ass. He then fucks June on his side, who surprisingly is able to take Jovannie’s large tool, and unlike Nubius and Shorty J, June doesn’t complain. Yeah moans and groans, but enjoys to the point of coming while he’s being fucked missionary style.
Jones saved the best and hottest scene for last. Jovannie returns the following day and as he begins to take off his sneakers and jeans, Chocolate Cream’s famous and popular bottom Remy Mars rushes into the room wearing and white T and blue jeans excited.
:I’m just here to get a quickie before work” he says before he starts giving Jovannie head, and tells him how he wants him to fuck him, and as in all his films, Mars take it like a man, screaming and moaning in esctacy while Jovannie throws his legs up and tells him to say his name before Mars tells him to fuck him on his side, where Jovannie fucks him to the point of him moving away at times
“You’re fucking the shit out of me” he says Jovannie is tearing his ass up and once again, viewers see Jovannie’s sexual skills, where he fucks Mars in various speeds, while Mars gives him a little completion by grinding, causing Jovannie to have a Destiny’s Child moment of keeping up with him. Especially when he has him on his stomach screaming loud enough to wake up the whole city.
“You want me to fuck that nut you”
“Yeah. Let me suck that nut out you” Mars replies before he sucks Jovannie off while he jerks his dick.

“Home Alone” is a hot flick, that had some nice shots that captured the expressions of the guys Jovannie was fucking, but it would have been hotter had Jovannie would have kiss Remy. Especially since he had his lips on his neck when he had him on the bed but all in all it’s a hot film to watch when you want to have a sexual session with yourself.

YOUNG KIDD TAKES IT LIKE A MAN IN STARRING ROLE

DIXX ARE FOR KIDD
STARRING KIDD, ROCK (1), DOMINIC, CARLITO, JOVANNIE & CITI BWOI (PRONOUNCED CITY BOY)
PRODUCED & DIRECTED BY MARVIN JONES
(IMPORTANT!! THIS IS AN ADULT FILM AND THIS FILM AND REVIEW ARE FOR READERS AGES 18 AND OVER SO READ AT YOUR DISCRETION)

Have you ever heard the saying “I felt like a kid in a candy store?” That’s how I describe adult film star Kidd’s performance in the film “Dixx Are For Kidd” which is about a hot dude who enjoys getting fucked, and isn’t afraid or ashamed to be a bottom who likes to please and be pleased by the guys who turn his ass out.
The film begins with Kidd going to Rock (1)’s apartment wearing a black tank top and jeans apologizing for showing up late for their hook up.
“I hope you’re ready for his dick” Rock (1) says while stroking his dick.
“Yo I’m about to show the kid don’t play” Kidd replies as he takes of his jeans and sucks his dick which has the Chocolate Cream legend being dominant by telling Kidd how to suck his dick the right way, but Kidd decides to suck him off his own way by being more aggressive.
“I’m tired of just sucking and playing with this dick” he says before Rock decides to fuck him slowly and slap his ass very hard before he begins to fuck him hard to the point of Kidd screaming in a high falsetto voice.
“Good ass mother fucking dick” is that dick for me
“Yeah” Rock says he smacks his ass before he fucks him with his left leg on the bed. Realizing that it was too much to take, Kidd takes charge and tell Rock to fuck him on his back, and once again, Rock fucks him so hard that he screams in higher octaves and busts a creamy load.
Scene 2 is one of the best scenes of the film. Kidd bumps into newcomer Dominic in the street, and tells him how hot looking he is and invites him to his crib to watch some porn DVD’s but when he gets there, he’s shocked to learn that Kidd is going to turn him own manually, and he doesn’t resist Kidd sucking his dick, who sucks him off to the point where Dominic gets comfortable and takes off his hoodie, lifts up his grey t-shirt and sits on the chair
“I knew you was going to enjoy this.” Kidd says
“Wifey never gave me nothing like this” Dominic replies.
They both get undresses (with Dominic keeping his fitted cap on) and lay on the bed where Kidd sucks him off before Dominic decides to have his first piece of ass.
“Wifey’s shit never look this good” Dominic says before he fucks Kidd doggy style while speaking Spanish. Dominic then tell Kidd to lay on his back so he can fuck him deeper, and lets the beast comes out by fucking Kidd so hard that the bed and apartment door shakes.
“Gimme that Dominican dick nigga” Kidd says while Dominic has his legs pinned to his chest forcing him to shoot a watery load all over his chest, while Dominic continues to enjoy his first piece of ass by fucking him harder, forcing Kidd to tell him to bust.
Scene 3 is one of the hottest scene in this flick. It features Kidd going to Carlito’s apartment to listen to music and hang out. While Carlito’s in the kitchen fixing him a drink, Kidd grabs his dick while opening and closing his legs. When Carlito returns, and asks him if he wanted to listen to music, Kidd lets him know that he’s not there to listen to music; he’s there to get some dick and Carlito gladly gives him what he wants, by allowing Kidd to unzip his pants and suck his dick. Seeing that they’re both getting pleasure, Carlito tells Kidd to get out his clothes, lays on the couch and have Kidd finish giving him a blow job before he decides to eat his ass, which has Kidd hotter than the heat wave New York had in 2005.
After slapping his ass with his huge dick, Carlito puts his condom covered dick inside and begins to fuck him slowly
“This is what you want?” Carlito asks
“Yeah. I want all that dick” Kidd replies.
Carlilo begins to fuck him, and he fucks him so well that he had Kidd saying “I want you to make love to his ass nigga.” After showing off his grinding skills, Cartlito lays Kidd on the couch and begins to kiss him all over his body bringing intimacy and sensuality to the scene and his performance, and while Kidd enjoys the four play, he develops an appetite for Carlito’s dick, and though he loves being passionate, Carlito decides to fuck him on his back and on his knees, where during the latter position, he has Kidd bend over on the arm of the couch moaning
“I want that fucking nut” Kidd screams
“You want this nut nigga? Tell me where you want it.”
“On my chest”

The film ends with new comer Citi Bwoi brining Kidd into his bedroom, where’s he surprised to see his partner Jovannie laying on the bed chillin’.
“This is my peoples” he says
“He’s cool”
“I’m gonna show you that dicks are for kids” Kidd says before he climbs into the bed and begins sucking both of their dicks with Jovannie competing for more head game from Kidd who doesn’t have any problems submitting to his commands. A few minutes later, Bwoi is standing behind him admiring and slapping Kidd’s ass and before you know it, he puts on a condom, and fucks Kidd
“You said you like dick nigga” he says while he’s fucking him
“I love that shit” Kidd says while he’s getting fucked and sucking going down on Jovannie, who get his verbal action by telling Kidd to suck his dick in a thick and undeniable southern accent, while looking down at him. After Bwoi mentions how good his ass is, Jovannie begins to fuck him while Kidd sucks Bwoi off, but some strange reason, Jovannie isn’t satisfied so he gets pissed, and decides to have Kidd suck both them off with Jovannie feeing for more head before they both stand up and bust on Kidd who says “Silly rabbit. Dicks are for kids!

This film was ok; it had some hot moments except for the last scene, which I expected to be hotter since Kidd was getting fuck by too hot guys. It would have been better if they were in different positions, and if the oral parts was a bit longer. Maybe that would have made the scene hotter, but over all it was a good film, and I’m looking forward to seeing more of Kidd taking dick like a man.

Friday, May 16, 2008

MARIAH CONTINUES CONQUERING CHARTS WHILE MAKING HISTORY


When singer/songwriter Mariah Carey's single "Touch My Body" topped the Pop charts, she became tied with The Beatles with being the second act to have the most number one hits behind Elvis Presley. That led fans to wonder how good would her album "E=MC2" would be; she didn't leave anybody disappointed. She cooked up a nice album with some hot dance songs, and soulful ballads that will be played at clubs and in the bedroom. Since adding Hip-Hop and R&B to her Pop flavored songs, Carey's record sales and fan base had increased, and with her latest release debuting at number one, it looks like she doesn't plan on slowing down.
Serving as co-executive producer, Carey wrote and produced the CD with Nate "Danji" Hills, C. Tricky Stewart, Terrin "The Dream" Nash (Rhianna), Scott Storch (Kelly Rowland, 50 Cent), Stargate (Ne-Yo, Lionel Richie), Swizz Beats and longtime collaborators Jermaine Dupri and Manuel Seal, who were responsible for helping her now-classic release "The Emancipation of Mimi" become the number one album of 2005.
The album opens with "Migrate" which has hot flutes, beats, and featuring Carey singing mid and low ranges, as well as T-Pain singing in his trademark computer voice also showcases his natural singing voice, which sounds good. Her latest top charting single "Touch My Body" has great strings, and sexy, hip lyrics about keeping a private sexual encounter private.

Cause if you run your mouth
and brag about this secret rendevous
I will hunt you down
Cause they will be up in my face
Like a Wendy interview
But this is private
Between you and I.

"Cruise Control" has a hot Dancehall/Reggae groove thanks to the guitar, keyboards, Damian Marley's smooth chanting and Carey singing in a soulful/Reggae style. It would have been hotter had it been recorded as a duet, but we know that Mimi will have some hot ass remixes for this one. "I Stay In Love" is a nice ballad furthering demonstrating Carey's ability to sing lower mid ranges. In addition to the classy piano riffs, the song has touching lyrics that sounds like an answer to New Edition's "Rewrite The Memories" while the Hip-Hop flavored "Side Effects" has Carey singing the trials and tribulations she went through during her marriage to former Sony Music CEO Tommy Mottola, who was controling her image and sound and how she had to break away to save herself. Co-penned and produced with Storch, the song has hot rock guitar riffs, and a hot verses by Young Geezy, who gives the song an edge. (A perfect way to get back at her ex-husband, who didn't like her adding Hip-Hop and R&B to her song). This song will help those who are recovering from being in abusive relationships.
"I'm That Chick" has a funky bass, and features Carey singing the bridge from former labelmate Michael Jackson's 1980 hit "Off The Wall" in a sexy and soulful tone. A great song for the kids to groove to at clubs along with "O.C.C." which further showcases her sensual side and Latin heritage. Though the song should have been longer, it has hot beats, horns, and samples from the Salsoul Orchestra's classic "It's Good For The Soul" as well as sexy vocal harmony by her and Da Brat, who co-wrote this song with her best friend.
"Love Story" is a nice and soulful ballad that captures phrasing and ability to hit low notes as well as sing harmony. A great song for Gay and Hetero couples to play at weddings and anniversaries, along with "I'll Be Loving U Long Time' which contains samples of Debarge's classic hit "Stay With Me."
My personal favorite song on the CD is "For The Record" one of the most creative song Mariah has recorded to date. She puts her all in this heartfelt ballad that sounds like the long awaited sequal to her 1992 # 2 hit "Can't Let Go." Co-written and produced with Bryan Michael Cox, the song has beautiful strings, keyboards, live breaks during the first verse and lyrics featuring her classic hits. It also features her singing mid and low ranges during the lead, while she hits her trademark whistling high note in the background.

For the record
You'll always be a part of me
No matter what you do
For the record
Can't nobody say I didn't give "My all" to you
And for the record
I told you "Underneath the stars" that
You "belong to me"
And for the record
It's obvious that we just "can't let go" of us. "Honey"
Cause when I'm looking in your eyes
Feels like the first
Give me one good reason why
We can't just press rewind
I don't wanna spend my life
Thinking what it could have been like
If we had another try
One time
Back in the day
That look on your face
Still love you boy
Feels like the first time.

A grammy award in recommended for this song!

Her current single "Bye Bye" is a great touching song about dealing with the pain of losing a loved one and honoring their memories. Though it's a sad song, but it has an upbeat beat and smooth soulful vocals and it will be played at funerals and memorial services.
The CD closes with the inspirational "I wish You Well" which Carey co-wrote with longtime background vocalist Maryann Tatum, who adds old school Gospel harmony to the songs along with the piano performance and spoken passages by Bishop Clearance Keaton.

Mariah Carey came back with a nice album that showcased her ability to sing different ranges as oppossed to using her trademark high notes that made her famous in 1990, and with the rate she's going, she's going to be around for another decade while other females artist relies on gimmicks to have hit records.

BIRTHDAY WISHES TO JANET JACKSON & RALPH TRESVANT

Hey Since I'm online for a hot mintue, I just want to send birthday shout outs to Miss Janet Jackson and Mr. Sensitivity himself; Rallp Tresvant, lead vocalist of New Edition who is celebrating 25 years in music while Miss Janet is celebrating her 32 year as an entertainer.

FLASHBACK REVIEW: MISS JANET'S CLASSIC ALBUM



FLASHBACK: MISS JANET’S SEDUCTIVE AND CLASSIC RELEASE

JANET JACKSON
JANET
1993 VIRGIN RECORDS
5+

In 1990, Janet Jackson became a household name and a legend in her own right. Her social conscious album “Rhythm Nation 1814” was named the # 1 album of the year and made her the only female artist to have seven top five Pop hits from one album. A record that has yet to be broken. The success of the album earned her a recording deal from Virgin Records close to $50 million dollars, making her the biggest paid female artists at that time.. After taking tine off to relax and star in her film debut, Janet went into the studio with long time collaborators Jimmy Jam & Terry Lewis to co-write and produce her debut for Virgin, which not only became her third # 1 album, it also began her long association with the gay community, who began to play her music along with other R&B, and Hip-Hop artists. The album also showcased her growth as an artist with her following the path that Motown legend Marvin Gaye left by having a social conscious album followed by an tasteful, sensual release. “Janet was about a confident sexy woman in touch with her feminine side” Producer Jimmy Jam said in the Billboard Books of Number Ones. “That was what she was feeling at that time, so our job was to enhance that,”
“The pressure was to start of Janet with a bomb” Jackson told author David Ritz in the liner notes of “Design of a Decade” when asked why she chose to release “That’s The Way Love Goes” as the first single. “But I wanted to slide through the door real quietly. This song just sorta sucked you in..” The single did more than suck me in; it was constantly playing in my walkman (I actually brought the tape the day before it came out at Bondy’s Music, a famous record store that used to sell tapes and CD’s the day before the actual release date), and to honor the 15 anniversary of this release, I decided to relive the moments where I began to appreciate Miss Janet even more than I previous did.
“Janet” opens with a morning, a spoken work into where she speaks about the beauty of love, which smoothly fades into the Grammy Award winning classic “That’s The Way Love Goes” which has a nice smooth flowing Jazzy soulful feel courtesy of the guitars, bass, drums, seductive lyrics, vocals call and response with herself and sampling of James Brown’s 1974 “Papa Don’t Take No Mess.” This is followed by “You Want This” which has hot beats, piano riffs, smooth harmony from Janet, and samples from The Supremes’ classic “Love Child.” “If” is a highlight in her concerts. What makes this song hot are the rock intro, piano riffs, Janet’s seductive rapping and harmony and the intro of Diana Ross & The Supremes’ 1969 farewell hit “Someday, We’ll be Together” sampled into the intro and middle of the song. A hot song to play when you’re on top of your partner while having sex. Janet showcases her sassy side on the Country-Operatic “This Time” with Opera legend Kathleen Battle, who’s fierce vocals give the song dramatic along with the guitar, percussion, strings and fierce lyrics. Especially during the bridge.

“This time
I’m not gonna stay
This time
I must get away
This time
You’ve gone too far
I’m not gonna stay
This Time
You’ve got to pay
This Time
You’ve gone to far
Walking around with nasty hoes
Tellin’ me that’s the way love goes
Well baby you’ve gone too far
Tellin’ me I’m not that strong
Watch me walk through that door.

“Throb” is a hot house song that still has kids striking poses and dipping at Gay functions. In addition to her soulful vocals, the song has hot beats, saxophone riffs, and features Janet seductive ad-libs. She also cuts loose vocally on the Rock song “What I’ll Do” which she co-produced with Jellybean Johnson that still has Rock fans bobbing their heads along with the beat, organ and vocals by member of the Gospel group Sounds of Blackness. “Funky Big Band” is one of my favorites song on this release. It’s a cool way to pay homage to musicians who played real instruments, and rocked a crowd with their musicianship, which has bass lines and horn riffs that most of today’s artist sample today.
Public Enemy’s Chuck D joins Janet on the Hip-Hop flavored “New Agenda” which tackles sexism and racism. What gives this song fire are the beats, horn riffs, Chuck’s powerful ad-libs and flow during the bridge and the lyrics.
(Don’t be surprised is Michelle Obama uses as her theme song when she becomes the first Black First lady).
“Because of Love” is a cute love song, that has cute lyrics and bass, but it’s not my cup of tea.
“Again” is a beautiful ballad from a her film “Poetic Justice” that’s another concert favorite. It features Janet giving a heartfelt vocal performance in front of an orchestra that was conducted by
“Where Are You Know” is a great mid-tempo ballad that showcases Jackson’s ability to sing high and low ranges as well as harmony.
The CD closes with the hot “Anytime, Anyplace” which began to shed her kid sister image. This hot ballad has a sexy old school feel thanks the to the saxophone, breaks, and Janet’s vocal performance which features her singing low and high ranges.
Dancin’ on the floor
Feeling the slow groove
My mind is startin’ to burn
With forbidden thoughts
Strangers all around
With the lights down low
I was thinking may we
Could…well…you know
I don’t wanna stop just because
People standin’ ‘round within’ us
I don’t give a damn what they think
I want you know
I don’t wanna stop just because
You feel so good inside of my love
I’m not gonna stop no, no, no
I want you all I wanna say is
Any time , any place
I don’t care’s who’s around’

This CD is still hot as it was when it was first released 15 years ago. Miss Janet was able to take her fans into her creative mind and world with this classic release, and she was able to provide some great music for both the hetero and gay community to listen to in the clubs, and in the bedroom.

Some known and unknown facts about the album

1.when it came time to Janet to record her debut for Virign, her and Jimmy Jam & Terry Lewis wrote about the concept of what the album should be, and discovered they were on the same page.

2. As noted earlier, Virgin wanted "If" to be released as the first single to capitalize on Janet's dancing talent, but she and her co-writers and producers refused. They felt that releasing the mid-tempo ballad "That's The Way Love Goes" would be a great introduction to the album as opposed to killing the opporunity by coming up with a dance song, and they were right. The album debut at number one, and the single debuted a 14, then topped the Pop charts for 7 weeks, earning Janet her second Grammy Award.

3. Janet fulfilled her dream of working with Oprea legend Kathleen Battle, who performs on the song "This Time." In a 1993 documentary, Janet said that she first saw Battle at the 1987 Grammy Awards, and she was captivated by her beauty, but when she heard her perform, she knew she wanted to work with her.

4. Janet had tied Aretha Franklin's record of being the female with the most gold singles when "Anytime, Anyplace" became her 15th gold single in 1994.

5. The album had released 7 singles, and "Where Are You Know" was scheduled to be the eight single to be released, but Janet decided to record the duet "Scream" with brother Michael, which made them the first musical relatives to have a single debut in the top 5 on the Pop, R&B and Dance charts.

6. The biggest selling single of the album was "That's The Way Love Goes," which was based on a sample of James Brown's 1974 hit "Papa Don't Take No Mess." It became a favorite of fans, but at first Janet wasn't too fond of the track. In an interview in the Billboard Books of Number One Hits, Jimmy Jam told he author that he gave Janet a copy of the track to listen to during the Christmas holiday, and when she return, she told him that the track was the bomb. Later on, she called him at 2 in the morning and told him that she had a different idea for the song. She wanted it to be seductive. Not only did the song become a favorite among fans, many music artists listed it as one of their favorite songs.
in 1994,Jazz guitarist Norman Brown did a Jazz version of the song, which earned him a 1995 Soul Train Music Award for Best Jazz Album. Three years, singing group Browwnstone and rapper Heavy D performed the song as a part of a tribute to Janet who was honored with the Lena Horne Award for Acheievement. In 2002, author Daryl C. Diggs use the song as the title of his debut novel